Emily McGowan
November
10, 2012
TMP
III
The
performance artist I have chosen to research is Tehching Hsieh. His work was
mentioned to be briefly once before. He intrigued me, but only now have I begun
to research him. The artist has accomplished six performances. Each performance
lasted for the duration of at least one year. I have chosen to delve into Teching
Hsieh’s outdoor piece that started in on September 26, 1981 and ended on
September 26, 1982. This work of art was his third performance piece.
The
artist spent one year in the earth’s exterior. He did not enter any sort of
shelter, including that of transportation and tents. “Instead of withdrawing
into a confined inner space, Hsieh opened himself up, as fully as possible, to
the outside” (Shaviro). He stayed within New York City with a bag and sleeping
bag. The artist became a drifter. In doing so, he was able to test his body and
mind’s ability to survive in uncontrollable conditions (Shaviro). He used his
body to “highlight and question the very conditions and circumstances of social
isolation and estrangement” (Tam 4). Hsieh documented his work with
photographs, a contract, and maps he had drawn throughout the year. The
artist’s performance explores the idea of a dwelling. It has become a basic
necessity for humans physically and symbolically. Dwellings identify an
individual and without it, an individual becomes indiscernible. Does lacking a
dwelling bring freedom in addition to loneliness and anonymity? Tehching Hsieh
willingly set himself in such a predicament in order to explore the other side
(Shaviro).
Shaviro, Steven. "Performing Life: The
Work of Tehching Hsieh." Web log post. N.p., n.d. Web. 10 Nov. 2012.
<http://performancelogia.blogspot.com/2008/01/performing-life-work-of-tehching-hsieh.html>.
Tam, Kenneth.
Disappearing In Plain Sight Or How We Used To Have Casual Sex Before Craigslist.
Thesis. University of Southern California, 2012. N.p.: n.p., n.d. Web. 10 Nov.
2012.
<http://digitallibrary.usc.edu/assetserver/controller/item/etd-Tam-3948.pdf>.
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